Her short film career, finishing with the 1960 comedy No Kidding, was over by the time she was 20. Margaret Lockwood moved out of 30 Highland Rd, London in 1937. What made her a front rank star was The Man in Grey (1943), the first of what would be known as the Gainsborough melodramas. Please refer to the appropriate style manual or other sources if you have any questions. She followed it with Irish for Luck (1936) and The Street Singer (1937). Cindy Crawford, for example, is notorious for her iconic "blemish." The Truth About Beauty Marks. She was known for her stunning looks, artistry and versatility. InLove Story(1944), a florid romance about the need for self-sacrifice during wartime, Lockwood plays Lissa, a concert pianist who cannot become a Women Air Force Service pilot because she has a weak heart. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). Gilbert later said "It was reasonably successful, but, by then, Margaret had been in several really bad films and her name on a picture was rather counter-productive. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. Named her after Gaio Giulio Cesare to commemorate her birth by Caesarian operation. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. Under Queen Victoria's reign,beauty standards left little room for anything but smooth, white skin. In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. She called it "my first really big picture with a beautifully written script and a wonderful part for me. Margaret Lockwood John Stone John Bryans See production, box office & company info Add to Watchlist 5 User reviews Episodes 39 Top-rated Fri, Jul 19, 1974 S3.E9 Twice the Legal Limit Justice Bebbington, who has given Harriet trouble with his mean spirited sentencing, asks her to defend him in a case of drunken driving. Possibly up to halfof all melanomas start as benign moles. This last blow, coupled with the sudden death of her trusted agent, Herbert de Leon, and the onset of a viral ear infection, vestibulitis, caused her to turn her back gradually on a glittering career. Julia Lockwood (Margaret Julia Leon), actor, born 23 August 1941; died 24 March 2019, Screen and stage actor who was a regular in West End productions in the 1960s, Philip French's screen legends: Margaret Lockwood, Original reporting and incisive analysis, direct from the Guardian every morning. She was born on September 15, 1916. had a bit part in the Drury Lane production of "Cavalcade" in 1932, It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. Cindy Crawford and other big names with facial moles. After what she regarded as her mothers painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughters performance in The Wicked Lady, she snapped: That wasnt acting. In July 1946, Lockwood signed a six-year contract with Rank to make two movies a year. Lorem ipsum dolor sit amet. Ive never been able to figure out what would i write about myself. Beauty marks may very wellalwaysbe beautiful, but the truth behind them is often less glamorous. Let us know if you have suggestions to improve this article (requires login). She starred in another series The Flying Swan (1965). Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. And I loved it. The Wicked Lady: Directed by Leslie Arliss. She had a small role in Who's Your Lady Friend? Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. I used to love her films.. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. That's right ladies, moles are beautiful. In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. What Austin, Texas looked like in the 1970s Through These Fascinating Photos, Rare Historical Photos Of old Mobile, Alabama From Early 20th Century, What El Paso, Texas, looked like at the Turn of the 20th Century, Fascinating Historical Photos of Portland from the 1900s, Stunning Historical Photos Of Old Memphis From 20th Century. He hopes one day "moles and other individual qualities" will be embraced. The amount of cleavage exposed by Lockwood's Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". If a woman were to wear the appliqud beauty mark on the left side of her face, this would mean she supported the Tory political party. Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." According toBBC,stars, hearts, and half moons were all popular choices back in the day. Below are some glamorous photos of young Margaret Lockwood from her early life and career. Seventy years ago, the British film industrys comparatively modest version of the Hollywood studio system meant that the national cinema had not, like MGM alone, more stars than there are in heaven, but enough to make up a small glittering constellation. Guaranteed competitive hourly wage average wage is $16-$18 an hour, plus an incentive commission and tips! The turning point in her career came in 1943, when she was cast opposite James Mason in The Man in Grey, as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. Hes a boy with so many emotions. The turning point in her career came in 1943, when she was cast opposite James Mason in "The Man in Grey", as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. Hear, hear! Innogen from the play "Cymbeline" proves this to be true as she just so happened to have a facial mole, or, beauty mark. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. Likewise, if she were to wear one on the right side, she would be showing her support for the Whigs. Margaret Lockwood. "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. She was made Commander of the Order of the British Empire in 1980. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). She was the female love interest in Midshipman Easy (1935), directed by Carol Reed, who would become crucial to Lockwood's career. "All beauty marks are moles,"Neal Schultz, a New York City-based cosmetic and medical dermatologist and host of DermTV, explained. Lockwood discusses her upbringing in a Boston area Irish family and her early . Listed on 2023-02-26. "[14], Gaumont British had distribution agreements with 20th Century Fox in the US and they expressed an interest in borrowing Lockwood for some films. She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. Gasp! Omissions? However, after being given an initial leg-up by her mother famous for the trademark beauty spot painted high on her left cheek the young Lockwood forged her own career, navigating the difficult transition from child to adult actor. CURRENT NEEDS: Part time 1-2 days a week 9 AM-3 PM. In 1933, she enrolled at the Royal Academy of Dramatic Art, where she was seen in Leontine Sagans production of Hannele by a leading London agent, Herbert de Leon, who at once signed her as a client and arranged a screen test which impressed the director, Basil Dean, into giving her the second lead in his film, Lorna Doone when Dorothy Hyson fell ill. Instead, she calls it her"forever moving mole" and sometimes draws it on to cover a blemish. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was an unfit mother. Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. She was born on September 15, 1916. Before long, mouches made their way into politics. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. For other people named Margaret Lockwood, see, Margaret Lockwood in Cornish Rhapsody which comes from the British War Time Film "Love Story" and starred Margaret as a lady concert pianist. When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. While every effort has been made to follow citation style rules, there may be some discrepancies. Margaret Lockwood, in full Margaret Mary Lockwood, (born Sept. 15, 1916, Karachi, India [now Pak. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. That was natural. That year, she was created CBE, but her appearance at her investiture at Buckingham Palace accompanied by her three grandchildren was her last public appearance. She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. "[8] Gaumont increased her contract from three years to six.[10]. They were going to look after me as no one else had done before. After becoming a dance pupil at the Italia Conti school. The couple had a daughter, Julia Lockwood. sachets at a time and calling it "my tipple". Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. She enjoyed a steady flow of work in films and on television but gained her greatest fulfilment in the theatre. ]died July 15, 1990, London, Eng. After poisoning several husbands in "Bedelia" (1946), Lockwood became less wicked in "Hungry Hill", "Jassy", and "The White Unicorn", all opposite Dennis Price. She was a warden in The White Unicorn (1947), a melodrama from the team of Harold Huth and John Corfield. What a time to have been alive. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. "Her mole is not part of any formal perfection, but it is also not an ornament," Greenblatt explained. Even though British Parliament wanted to put an end to the faux mole craze, some members eventually came around. In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. Switch to the light mode that's kinder on your eyes at day time. Jennifer Lawrence, for instance, has been dubbed the"mole-iest" not most beauty-marked sex symbol of all time by Slate because her pigmented spots happened to land not just on her face, but on her neck and chest as well. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. Margaret Lockwood, an actress who became one of the most popular figures in British films of the late 1940's, died on Sunday. Articles from Britannica Encyclopedias for elementary and high school students. Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. The Getty Images design is a trademark of Getty Images. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. She refused to return to Hollywood to make Forever Amber, and unwisely turned down the film of Terence Rattigans The Browning Version. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. clerk, was educated in London and studied to be an actress at the The film was a critical and box-office disappointment. She also performed in a pantomime of Cinderella for the Royal Film performance with Jean Simmons; Lockwood called this "the jolliest show in which I have ever taken part. ]died July 15, 1990, London, Eng. You can play him as a fey creature or right down to earth. [47], Her next two films for Wilcox were commercial disappointments: Laughing Anne (1953) and Trouble in the Glen (1954). Any moles or flaws are usually Photoshopped out to create the image of beauty." Madeleine Marshtold BBC that it wasn't untilHollywood came to be that moles transformed from something to be abhorred to something to be admired. Stage career This naturally raises the question: Why are there two different names? Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). If you've ever heard of a beauty mark being labeled a birthmark, that's not exactly fake news. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. And why do people love them or hate them? Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). It was one of the Gainsborough melodramas, a sequence of very popular films made during the 1940s. This is the ITV DVD Region 2 DVD release of the Margaret Lockwood films - The Wicked Lady from 1945 and Bank Holiday from 1938. . "I was terribly distressed when I read the press notices of the film", wrote Lockwood. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. As an only child herself, she had once said: I love children. [17][18], Lockwood returned to Britain in June 1939. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. Images of the British actress, Margaret Lockwood. Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. She returned to Britain to live in Somerset in 2007. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. InBernard KnowlessThe White Unicorn(1947), she andJoan Greenwoodwere cast as women of different social backgrounds a warden at a home for delinquent girls and a troubled teenage mother whose reminiscences reveal that female suffering isendemic. The following year, she appeared at the Scala Theatre in the pantomime in the drama The Babes in the Wood. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). They appeared together again in the romantic melodrama The White Unicorn (1947). Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. Simply put, if a person is born with a mole, it is then also considered a birthmark. It was an uphill battle even for those who survived. This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. While a real mole's shape is fixed, a mouche could be designed in a variety of styles. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). I like consistency when it comes to getting my hair done. MARGARET LOCKWOOD Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. A free trial, then 4.99/month or 49/year. She was 73 years old. As both parents were rarely around at that point, Julia spent the war years with her grandmother and a nanny. Built in clientele. In the postwar years, Lockwoods popularity fell out of favor. Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to her shy, sensitive daughter. Margaret Lockwood died of cirrhosis of the liver in Kensington, London on 15th July, 1990, aged 73. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. She lived her final years in seclusion in Kingston upon Thames, London. [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. her flawless complexion - enhanced by a beauty-spot! She preferred to drink hot chocolate, buying 60 Required fields are marked *. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). Each time I play him, I discover hidden things I never thought of before, she enthused. [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. Lockwood then had her best chance to-date, being given the lead in Bank Holiday, directed by Carol Reed and produced by Black. Her body was cremated at Putney Vale Crematorium. Margaret Mary Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. Several kings and queens even succumbed to the disease and, according to History.com, it is thought that 400,000 commoners died each year as a result. A year later, she played another fairy, for 30 shillings a week, in "Babes in the Wood" at the Scala Theatre. The first of these was Hungry Hill (1947), an expensive adaptation of the novel by Daphne du Maurier which was not the expected success at the box office. [34] then went off suspension when she made a comedy for Corfield and Huth, Look Before You Love (1948). Search instead in. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). In the 1930s, she appeared in a variety of stage plays and made her name. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. Enjoying our content? Speaking candidly with the magazine, Crawford did admit that she's still not sure if she'd have added a beauty mark if "designing [her] face from scratch." She was survived by her daughter, the actress Julia Lockwood (ne Margaret Julia Leon, 19412019). [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. The last flickers of virginal sweetness in Lockwoods persona were extinguished by her portrayals of Hesther and Barbara Worth in morally ambivalent films based on novels bywomen. Her beauty is breathtaking; indeed, the viewer can recall that when Caroline (Patricia Roc) Introduced her to . Lockwood had a small role in The Amateur Gentleman (1936), another with Fairbanks. When the author Hilton Tims was preparing his biography, Once a Wicked Lady, a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, Give her these from me. She was survived by her daughter, the actress Julia Lockwood. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. "Since 1945 I had been sick of it there had been little or no improvement to me in the films I was being offered. In spite of this, she was warmly remembered by the public. "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. Lee dropped out and was replaced by Lockwood. Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. "Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." This film was a success, launching Lockwoods career, and Gaumont extended her contract from three to six years. Actors: Margaret Lockwood, James Mason, Patricia Roc. As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. As you now know, the 18th century was thetime for magnificent moles. She complained to the head of her studio, J. Arthur Rank, that she was sick of sinning, but paradoxically, as her roles grew nicer, her popularity declined. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. The film had one of the top audiences for a film of its period, 18.4 million. All rights reserved. Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." ), British actress noted for her versatility and craftsmanship, who became Britain's most popular leading lady in the late 1940s. This was the first of her "bad girl" roles that would effectively redefine her career in the 1940s. Italia Conti Drama School. But, just what is a beauty mark anyway? An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage, where she had successes in Peter Pan, Pygmalion, Private Lives and Agatha Christies thriller, Spiders Web, which ran for over a year.
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